noviembre 2018

Badía Herrera, Josefa (ed.): Amor, privanza y castigo

Badía Herrera, Josefa (ed.): Amor, privanza y castigo, Primer tomo de comedias de Juan Pérez de Montalbán, vol. 1.4, Kasel, Reichenberger, 2018, pp. 311-446.
Ferrer Valls, Teresa: “Hacia un sistema integrado de bases de datos sobre teatro clásico español y práctica escénica: el proyecto coordinado ASODAT”

Ferrer Valls, Teresa: “Hacia un sistema integrado de bases de datos sobre teatro clásico español y práctica escénica: el proyecto coordinado ASODAT”, Cuadernos AISPI. Estudios de lenguas y literaturas hispánicas, nº 11 (2018), pp. 115-30.
García-Reidy, Alejandro: “¿Quién fue la Belén Esteban del Siglo de Oro?”

García-Reidy, Alejandro: “¿Quién fue la Belén Esteban del Siglo de Oro?”, Laura Mier and Alfredo Moro (eds.), Reescrituras o la vitalidad de la tradición en el estudio de la literatura, Santander, Real Sociedad Menéndez Pelayo, 2018, pp. 15-36.
García-Reidy, Alejandro: “Celebrities and the Stage: Theatrical Stardom in Early Modern Spain”

García-Reidy, Alejandro: “Celebrities and the Stage: Theatrical Stardom in Early Modern Spain”, Renaissance Studies, 32.2 (2018), pp. 165-182.
Rich Greer, Margaret: “Mythological court spectacle plays”

Rich Greer, Margaret: “Mythological court spectacle plays”, Jonathan Thacker and Roy Norton (eds.), A Companion to Calderón, Boydell & Brewer, 2018.
Thacker, Jonathan: “‘Seré lo que tú quisieres’: Female Cross-dressers in Three Comedies by Tirso de Molina”

Thacker, Jonathan: “‘Seré lo que tú quisieres’: Female Cross-dressers in Three Comedies by Tirso de Molina”, Modern Language Review, 113 (2018), pp. 338-59.
Thacker, Jonathan (ed.): La creación del mundo, Luis Vélez de Guevara

Thacker, Jonathan (ed.): La creación del mundo, Luis Vélez de Guevara, edición crítica y anotada de William R. Manson y C. George Peale, estudio introductorio de Jonathan Thacker, Newark, Delaware, Juan de la Cuesta, 2018.
Mascarell, Purificación: “Las comedias cervantinas en las tablas desde 1975: modelos de transgresión para la representación de los clásicos españoles”

Mascarell, Purificación: “Las comedias cervantinas en las tablas desde 1975: modelos de transgresión para la representación de los clásicos españoles”, Jorge Braga; Javier J. González; Miguel Sanz (coords.), Cervantes, Shakespeare y la Edad de Oro de la escena, Madrid, Fundación Universitaria Española, 2018, pp. 81-101.
González Martínez, Lola: “Preparando el camino hacia la comedia nueva. De Torres Naharro a Lope de Vega”

González Martínez, Lola: “Preparando el camino hacia la comedia nueva. De Torres Naharro a Lope de Vega”, Revista de estudios extremeños, 74 (2018). Número extra dedicado a Bartolomé de Torres Naharro en los orígenes del teatro español, pp. 93-116.
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)
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